The content and aims of my Major Project, Time after Time correspond with some of the AHA conference themes and offer an opportunity to test the potential of the artwork to engage and activity audiences, an aim which was set out in my Project Proposal. So I have decided to submit a proposal to run a session as outlined below. I think this would be a great opportunity to exhibit and contextualise my work and also to collaborate with CT colleagues/research student, so I hope it gets accepted: “This is a dark time, filled with suffering and uncertainty. Like living cells in a larger body, it is natural that we feel the trauma of our world. So don’t be afraid of the anguish you feel, or the anger or fear, because these responses arise from the depth of your caring and the truth of your interconnectedness with all beings” (Macy and Gahbler , 2006, p.105). How technology can be used to augment analogue artworks and further engage and activate audiences. Delegates are invited t...
The Bristol Artists' Book Event was a revelation to me, as I think I now know how and where to share Time After Time when it is fully formed. The range of creative practice was incredible and I really enjoyed the way much of it could not be defined using conventional art terms such as panting, printing, and sculpture, fluid and inclusive practices. I was very inspired by the range and quality of work, the associated artists' websites and the work we purchased. As I prepare to exhibit and perhaps sell my work, my challenge will be in the setting out and finishing of books using In Design, Illustrator etc. to create polished and professional-looking final products, so I have signed-up to Adobe classes in the autumn, a little late for the MA but part of the same developmental trajectory. Also, the UWE Book Arts newsletter is going to be a very useful reference for me to identify conferences and events, it's time to get my work out there. Fig...
This is such a thought-provoking programme that charts humanity's relationship with the natural world, through art, from the earliest cave paintings to the present day (yet to watch). In episode two, I was particularly struck by the paintings of Ustad Mansur, a Mughal painter working in the early 17th C who documented the natural world in incredible detail and was the first person to depict a dodo in colour; his painting of a chameleon is also so well observed, a strong graphic image with layers of colour and marks used in relief to depict the skin of the animal - I always enjoy a dot or two and this could suggest a way of painting my animals. The programme also made reference to the Chinese Painter Xiang Shenmo and his scroll painting, Reading in the Autumn Mountains, a beautifully composed image that shows humans as part of nature but also dwarfed by nature; I think the way trees and leaves are represented could be very helpful as I start to work on the detail of the plant...
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